韩国电影爱人片尾曲

新晋作家中岛加代子凭借出色的作品赢得了新人奖，却遭到文坛大前辈东十条宗则的严厉批评，导致出版计划泡汤。心怀不甘的加代子决定展开复仇。她入住了文豪们钟爱的山上酒店，发现东十条就住在自己楼上的房间。在大学前辈、现任编辑远藤的协助下，她开始不断干扰东十条的写作。在这场文学对决中，加代子能否逆风翻盘，重返文坛？本片改编自柚木麻子的同名小说。。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。