米瑞尔

待业青年姜轶男性格乐观开朗，受学历所限，一直待业在家。一次偶然，他救起了落水女子陈欣悦，在对陈欣悦的好感以及徐昊宇的刺激下，姜轶男发愤图强，向陈欣悦所在的深原集团递交简历，借深原集团向社会公开招聘的契机，他凭借努力与应变，阴差阳错成为最受关注的新人，同时获得了陈欣悦的关注。徐昊宇不满姜轶男的“幸运”与乐观，处处与他作对，徐昊宇的女友梁定菲则对姜轶男产生了好奇。谁知姜轶男进入公司完全是由金总监的工作失误引起。金总监为了掩盖自己的失误，拉拢其他人屡屡排挤姜轶男，大家在深原集团内，上演了一幕幕啼笑皆非的情节，而姜轶男终于在种种经历中成长起来，在证明自我的同时，粉碎金总监出卖公司的阴谋，赢得了珍贵的爱情与友情。。This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops. At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it. One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.。