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高中生“道会”和他父亲住在乡下，他父亲经营着一家跆拳道馆。他讨厌家里暴力和野蛮的氛围。有一天，他开朗聪明的同龄人“申周英"从首尔来到这里，他梦想着上大学主修跆拳道。随着的到来，大大小小的欢乐开始填满“道会”以前黑暗的生活。然而，他父亲所象征的压迫文化最终扭曲了他们的关系，在一次意外事件迫使他们分开后，十年后他们重逢了。它温暖地描绘了从纯真的兴奋开始的感情转变为拥抱和治愈彼此伤口的深爱。。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。