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Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。乔尔和雷吉斯是一对同父异母的兄弟，他们彼此并不了解，两个人唯一的共同点是有同一个父亲。 乔尔是个黑人，他处于失业中，学历也不高。他认为法国是一个有种族歧视的国家，并且把找工作失败、穷到连公交车票都买不起的责任全都推给自己的黑人血统。 雷吉斯则完全和乔尔相反，正因如此，他并不承认自己身上有一半黑人血统，更不承认自己起源于非洲裔。 乔尔和雷吉斯的父亲病逝，他在临死前交给两兄弟一份文件，这是一份从奴隶制时期，他们的奴隶祖先流传下来的文件，文件中写到：奴隶制度已经解放，从此以后，这个家族的后人都能获得完整的人身自由。 乔尔和雷吉斯都想独占它，为此，两兄弟决裂了。此时，一位神秘的灵异老妇人正在暗中观察着他们的一举一动，当她目睹了两兄弟恶劣的所作所为之后，决定出手教训他们一下。她要把乔尔和雷吉斯送回到奴隶时期，让他们尝一下黑人被奴役的滋味。 乔尔和雷吉斯还没搞清楚发生了什么事，就发现两个人莫名其妙降落在了1780年的奴隶市场中，而且他们都被挂上了“出售”的牌子。这对兄弟要想摆脱种植园的奴隶生涯，想办法回到21世纪的家，就必须在这个陌生的时代团结起来……。张大光和张耀祖两父子，在港经营的山寨厂出现困难，遂决定回乡设厂，岂料被骗，幸得大陆女工李彤相助才能逃回香港。后耀祖再次觅得机会到深圳特区设厂，并邀李彤帮忙管理工厂，自此二人感情一日千里，最后更冲破中港障碍结成夫妇。岂料婚后，耀祖在港邂逅姚昭然，二人互相吸引，耀祖在李彤与昭然之间，难以取舍… 另一方面耀祖的好友兼姐夫陈荣昌得上司赏识到深圳的工厂当经理，却与秘书有染，其妻张美华得知后因而大受刺激，竟想到要毒杀全家…。